| Robert Schumann (1810–1856) |
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| Adagio and Allegro for Horn and Piano, Op. 70 (1849) |
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| Adagio (attacca) |
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| Allegro |
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| Johannes Brahms (1833–1897) |
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| Sonata in E minor for Cello and Piano, Op. 38 |
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| Allegro non troppo |
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| Allegretto quasi Menuetto |
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| Allegro |
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| Adolf Mišek (1875–1955) |
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| Sonata in E minor for Double Bass and Piano No. 2, Op. 6 |
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| Con fuoco |
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| Andante cantabile |
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| Furiant. Allegro energico |
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| Finale. Allegro appassionato |
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Works for Double Bass and Piano Ekkehard Beringer, Double Bass
Tomoko Takahashi, Piano
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A double bass sounds masculine and passionate, comparable to a baritone. Highly valued as a harmonic and rhythmic platform, there is little opportunity for the instrument to make a solo appearance – this CD is different. Ekkehard Beringer, a member of the NDR Elbphilharmonie and professor at the Hanover University of Music and Performing Arts, is a virtuoso on the double bass and is able to elicit a wide range of timbres from the instrument. Whether it is original works such as Adolf Mišek's Sonata in E minor or arrangements of horn and cello works by Brahms and Schumann, Ekkehard Beringer's playing sounds virtuosic, brilliant and yet down-to-earth, brilliantly accompanied by the pianist Tomoko Takahashi.
Das Orchester
"Insgesamt prächtig leidenschaftlich spielen die Solisten, erstaunliche (Trug-)Schlüsse bieten sie, und hier gibt es tatsächlich einige atem(be)raubende Momente. Und stets bleiben sie sehr markant und zugleich gesanglich - besonders das verbindet die beiden Interpreten offenbar." Read the entire review by Carola Keßler here.
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